I could tell it was the kick because of the sparsity of the arrangement you could very well put Relay on the kick track, but in this case I didn't need to. The confluence of shade in the GUI made it plain where the kick was visibly weak. I had Relay going on all the submixes at the end of the chain, so I selected the drum submix, and, against the grayscale of the spectrogram, I saw the resounding yellow of my drum information. By default, your entire mix is in grayscale, but the elements you assign with Relay are given colors-colors that you can change, as need be.Ī real world example: I had a mix nearly finished, but at a certain section of the tune, the kick drum felt like it was getting a bit lost. This is all well and good across the whole mix, but the Relay module gives you a shortcut to any individual element you'd want, so you can spotlight the drums, or even a single drum, within the context of a mix. You can really pinpoint what each element of the mix is doing, thanks to the spectrogram’s use of shade:Ī growing concentration in color from a light to dark shows you how impactful things are at a given frequency the weaker the shade of color at 200 Hz, the less pronounced the band. The spectrogram goes beyond your typical frequency analyzer to show you the EQ makeup of your mix across a long swath of time, and with a greater visual representation. We just highlighted its helpfulness alongside the Intelligibility Meter, but you can also use Relay in conjunction with the spectrogram. Relay can be plopped onto tracks, submixes, auxes, or anywhere else a plug-in can go. In the time I've spent using Insight 2, the suite demonstrates itself impeccably when paired with the Relay module. Using Relay With The Spectrogram For EQ Balance The choice is yours-and now you’re in a better place to make that choice. If it soars above or falls below, you have the option to tweak or leave as is. The Intelligibility Meter, particularly when set to low-noise level environments, can aid you in making the judgment call more impartially.Īll you need to do is watch the meter and, well, follow the bouncing ball: if it stays in the sweet spot, there’s your visual indication that the words will be understood. This phenomenon can give the mix a sort of karaoke feel. There’s also the risk of raising the vocals too high without realizing it, either due to ear-fatigue or suboptimal monitoring. It can be hard to know whether to bury the vocal on a phrase for the mystery of it (the work of Tool come to mind) or to bolster the vocals above everything else. I find this meter quite handy, as vocal intelligibility is tricky to get right. By integrity, I mean how easy it is to hear the words-the very definition of intelligibility. If I put an instance of Relay (think of it as Insight 2’s “helper plug-in”) in the last slot of my vocals/vocal bus, I’m able to monitor the apparent integrity of my vocals in relation to the rest of the material. However, it also works within the context of music. The Intelligibility Meter was designed primarily with post-production in mind.
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